Martha Atienza, Jake Atienza
Equation of Stateexh
Martha Atienza’s ‘Equation of State III’ is part of a series that examines climate change and asks the
viewer to question environmental management and socioeconomic development. The installation is an
entry point to community-based archival work on Bantayan Island in central Philippines from which it emerges.
Cercle d’Art des Travailleurs de Plantation Congolaise
Plantations, Museums, and Regenerative Ecologiescom
The work presented is a radical act of digital restitution. CATPC reclaims a piece of their heritage by using funds gained from NFTs (non-fungible tokens) such as Balot NFT, minted in 2022 and depicting the angry spirit of Belgian colonial officer Maximilien Balot (1890–1931). A series of short videos share the journey of collective members as they speak to elders, art historians, and academics about the possibility of restitution and the future use of blockchain technology toward regenerative forest ecologies.
Migrant Ecologies Project
Fragments from Railtrack Songmapsexh
BE
By probing the existing relationships between humans and birds, Migrant Ecologies collaborators explore a series of pathways through a contested zone along the former tracks of the Malaysian state railroad at Tanglin Halt, a neighborhood of Singapore that has undergone considerable social and environmental change.
Mohammad AlFaraj
Sketches / Whispersexh
Mohammad AlFaraj shares pencil sketches, ephemeral poems, and handwritten notes from the making of *The Whispers of Today Are Heard in the Garden of Tomorrow*, a newly commissioned work showing outdoors at the JAX District as part of Diriyah Contemporary Art Biennale 2024.
Seher Shah
Notes from a City Unknownexh
Cities are archives of our histories. They unfurl the historical, and connect the political to the personal across intimate passageways. We navigate the city through our kinships, languages, and constellations, which bind us in unknown and profound ways. We live with the weight and traces of those that came before us, as we guide our exterior and interior lives. Woven into us are notes and networks from inherited places, or a separation, leaving traces of a memory and a marked absence. Our names and bodies bear the weight of our failed nations, as we trace our footsteps to a sense of belonging.
Aseel AlYacoub
The Secret Lakeexh
In this video documentation, Aseel AlYacoub explores two sites within Riyadh's desert, commonly referred to as 'The Secret Lake'. Through the footage, the artist interweaves narration from Paul W. Harrison's "The Arab at Home" (1924), a work by an American medical missionary to Arabia.
Rasha Al-Duwaisan
Buckets and WaterskinsBE
In this poetic reflection, Rasha Al-Duwaisan expands on Buckets and Waterskins, which was presented in March 2024 as part of the Biennale Encounters program of the Diriyah Contemporary Arts Biennale.
Munem Wasif, Natasha Ginwala
Kheyal: a conversation with Munem Wasifexh
Munem Wasif and Natasha Ginwala discuss Wasif's solo exhibition Kromosho (ক্রমশ), or "step by step" in Bengali. Together, they exchange views around how the artist’s gaze has evolved, chronicling fiction and fact over time with fundamental transformations in both medium and subject. Traversing a range of recent works, Wasif attunes to unraveling vantage points, protagonists, and ambient idiosyncrasies.
Mariah Lookman
Poets have forgotten the words for loveexh
BE
A digital version of Mariah Lookman's sound walk, which gathers stories along spice routes in Saudi Arabia. The artist’s poetic narration is inspired by the stories of healers and merchants at the souks, and those of mothers and grandmothers. Storytelling becomes a method of recuperating a knowledge of plants that is passed on orally from one generation to the next. The work is an embodied and holistic experience of cross-cultural encounters and vernacular knowledge that has endured over distance and time.
Aseel AlYacoub
Desert as MethodBE
Drawing insights from historical records, cultural narratives, and the constructed environment, Aseel AlYacoub invites workshop participants to redefine preconceived notions about the desert.
Liam Young
The Great Endeavorexh
Speculative architect and filmmaker Liam Young reflects on The Great Endeavor, a 2023 work that depicts a planetary carbon removal and storage industry emerging in the near future as part of the solution to the climate crisis.
Tarek Atoui
The Hive: On Vibration and ResonanceBE
In this video workshop, Tarek Atoui invites children to explore music-making through playing with toys and instruments.
ROBIN MEIER WIRATUNGA
Waves Beneath an Ocean of Wet Aircom
This commission juxtaposes audio recordings from the Empty Quarters in the Arabian Peninsula—sounds of singing sands, acoustic measurements of dune sediment, and foraging ants from his field work—with submarine recordings from the Indian Ocean, neuroelectric activity of the brain, AI-synthesized vocal sounds, and various other elements to create a generative, polyphonic soundscape, giving a voice to the stories of the desert and weaving a composition with sounds from oceans of varying wetness and its entangled kin.
Hiba Ismail
Two Isletscom
Using an ongoing archive of sonic field recordings and images as a starting point, Ismail’s commission involves gathering extensive field recordings and images from the Red Sea and its surrounding areas, resulting in an index of recordings and photographs. Her most recent recordings took place on the Suakin Archipelago and multiple locations off the east coast of Sudan. The process of collecting audio material is an attempt to understand our relationship to the environment, drawing parallels between contemporary politics, archaeologies, and the natural histories of the earth. She consolidated the extensive catalogue of archipelago sounds into an audio composition developed in collaboration with sound designer Panos Chountoulidis.
Paulo Tavares
An Architectural Botanyexh
Paulo Tavares writes about what can happen when we recognise that a quintessentially natural or wild space—as defined by the hegemonic epistemic frameworks of colonial modernity—is in reality a cultural, socially produced artefact and how architectural practice and research can learn from a botanic archaeology, its methods and epistemic shifts. The essay is an excerpt of “Architectural Botany: A Conversation with William Balée on Constructed Forests,” the eighth chapter of Environmental Histories of Architecture, an open-access book published by the Canadian Centre for Architecture.
Hussein Nassereddine
Hanging notes on “Laughing on the River”BE
I choose here, dear ones, to comment on the texts that have become laughter on the river, from that time a poet recalled his loneliness in the open desert and its long night, to my friends in the river near our village, as we jump from the high rocks––plunging headfirst into the water, then the years take us, and we enter time.
NIDHI MAHAJAN & MOAD MUSBAHI
An Excerpt from Kitab Al Marasi: A Composite Navigational Manual for the Indian Oceancom
A composite navigational manual for the Indian Ocean that draws from the historical cultural practices of local sailors to confront the uncertain future of coastal communities across the Indian Ocean facing extreme climate degradation. The work creates a repository of Indigenous maritime knowledge that firmly ties the risk of climate change with vernacular forms of knowledge.
Anca Rujoiu, Priyageetha Dia
Forget Me, Forget Me Notexh
Amid the sea of information and data prone to racialized terminology, what are the possibilities for an artistic engagement to eschew or hijack the perpetuation of violence? Anca Rujoiu writes about Priyageetha Dia's *Forget Me, Forget Me Not.*
Anne Holtrop
From Geology to Glassexh
Anne Holtrop Studio presents part of the research behind Glass to Stone, with a focus on the transitions from geology to glass, to glass waste and new glass production.
Jorge Otero-Pailos
A Library of Earthen Architecturesexh
BE
Jorge Otero-Pailos collaborates with Saudi artists and heritage experts in charge of Saudi World Heritage sites to create a Library of Earthen Architectures, which includes artefacts representative of Saudi cultural memory.
Feifei Zhou
Before there was land, there were mangrovescom
Zhou’s commission is a long-term, collaborative research undertaking that investigates coastal land reclamation across the globe. Filled by hard material such as rocks and cement, reclaimed land eliminates porosity and results in more severe flooding and biodiversity degradation. In contrast, mangrove forests, such as those in the Indian Ocean, nurture a rich range of sea and land creatures including fish, crabs, birds, and shrimp. Their salt-tolerant trunks and roots also create a porous environment and natural barrier against floods and tides. Preserving mangroves are some of the most pressing battles for coastal communities around the world.
Tara Aldughaither & Joe Namy
Rhythms of the Rising Suncom
Rhythms of the Rising Sun traces migratory rhythmic ecologies from West Asia, the Indian Ocean subcontinent, East Africa, and the Arabian Peninsula. This collaborative research project aims to raise awareness for resonant sound pressures in the region today. It explores how lucid migratory patterns have shaped some of the most prominent rhythms, sounds, and music of these geographies, and how rhythms have in turn shaped language and ways of life.
Sammy Baloji
Overcoming Modernityexh
A conversation between Sammy Baloji and Rolando Vázquez Melken on world exhibitions and the politics of cultural representation and appropriation through contemporary artistic and architectural interventions.
Taus Makhacheva
Archival Footage: Behind Charivariexh
Taus Makhacheva shares archival films that were collected and compiled from her research on the Soviet circus tradition.
Jumana Emil Abboud
Gazelle in a Mother's EyeBE
Working with collaborators Tamara Kalo and Ileana Gonzalez Pacheco, artist Jumana Emil Abboud has created an immersive study of local folktales and the experience of embedding herself in the Riyadh landscape.
Dana Awartani
Listen to my wordsexh
In this selection of translated Arabic poetry interlaced with geometric symbolism, Awartani's work breathes a new life into powerful voices from the past, orchestrating an intergenerational dialogue that subtly questions the status of women in contemporary society.
