EN/ AR
idx /  map

Jorge Otero-Pailos

A Library of Earthen Architectures
exh
BE
Jorge Otero-Pailos collaborates with Saudi artists and heritage experts in charge of Saudi World Heritage sites to create a Library of Earthen Architectures, which includes artefacts representative of Saudi cultural memory.
A Library of Earthen Architectures

Aseel AlYacoub

The Secret Lake
exh
In this video documentation, Aseel AlYacoub explores two sites within Riyadh's desert, commonly referred to as 'The Secret Lake'. Through the footage, the artist interweaves narration from Paul W. Harrison's "The Arab at Home" (1924), a work by an American medical missionary to Arabia.
The Secret Lake

Tarek Atoui

The Hive: On Vibration and Resonance
BE
In this video workshop, Tarek Atoui invites children to explore music-making through playing with toys and instruments.
The Hive: On Vibration and Resonance

Migrant Ecologies Project

Fragments from Railtrack Songmaps
exh
BE
By probing the existing relationships between humans and birds, Migrant Ecologies collaborators explore a series of pathways through a contested zone along the former tracks of the Malaysian state railroad at Tanglin Halt, a neighborhood of Singapore that has undergone considerable social and environmental change. 

Fragments from Railtrack Songmaps

Anne Holtrop

From Geology to Glass
exh
Anne Holtrop Studio presents part of the research behind Glass to Stone, with a focus on the transitions from geology to glass, to glass waste and new glass production.
From Geology to Glass

Seher Shah

Notes from a City Unknown
exh
Cities are archives of our histories. They unfurl the historical, and connect the political to the personal across intimate passageways. We navigate the city through our kinships, languages, and constellations, which bind us in unknown and profound ways. We live with the weight and traces of those that came before us, as we guide our exterior and interior lives. Woven into us are notes and networks from inherited places, or a separation, leaving traces of a memory and a marked absence. Our names and bodies bear the weight of our failed nations, as we trace our footsteps to a sense of belonging.
Notes from a City Unknown

Jumana Emil Abboud

Gazelle in a Mother's Eye
BE
Working with collaborators Tamara Kalo and Ileana Gonzalez Pacheco, artist Jumana Emil Abboud has created an immersive study of local folktales and the experience of embedding herself in the Riyadh landscape.
Gazelle in a Mother's Eye

Aseel AlYacoub

Desert as Method
BE
Drawing insights from historical records, cultural narratives, and the constructed environment, Aseel AlYacoub invites workshop participants to redefine preconceived notions about the desert.
Desert as Method

Mohammad AlFaraj

Sketches / Whispers
exh
Mohammad AlFaraj shares pencil sketches, ephemeral poems, and handwritten notes from the making of *The Whispers of Today Are Heard in the Garden of Tomorrow*, a newly commissioned work showing outdoors at the JAX District as part of Diriyah Contemporary Art Biennale 2024.
Sketches / Whispers

Hussein Nassereddine

Hanging notes on “Laughing on the River”
BE
I choose here, dear ones, to comment on the texts that have become laughter on the river, from that time a poet recalled his loneliness in the open desert and its long night, to my friends in the river near our village, as we jump from the high rocks––plunging headfirst into the water, then the years take us, and we enter time. 
Hanging notes on “Laughing on the River”

Liam Young

The Great Endeavor
exh
Speculative architect and filmmaker Liam Young reflects on The Great Endeavor, a 2023 work that depicts a planetary carbon removal and storage industry emerging in the near future as part of the solution to the climate crisis.
The Great Endeavor

NIDHI MAHAJAN & MOAD MUSBAHI

An Excerpt from Kitab Al Marasi: A Composite Navigational Manual for the Indian Ocean
com
A composite navigational manual for the Indian Ocean that draws from the historical cultural practices of local sailors to confront the uncertain future of coastal communities across the Indian Ocean facing extreme climate degradation. The work creates a repository of Indigenous maritime knowledge that firmly ties the risk of climate change with vernacular forms of knowledge.

Hiba Ismail

Two Islets
com
Using an ongoing archive of sonic field recordings and images as a starting point, Ismail’s commission involves gathering extensive field recordings and images from the Red Sea and its surrounding areas, resulting in an index of recordings and photographs. Her most recent recordings took place on the Suakin Archipelago and multiple locations off the east coast of Sudan. The process of collecting audio material is an attempt to understand our relationship to the environment, drawing parallels between contemporary politics, archaeologies, and the natural histories of the earth. She consolidated the extensive catalogue of archipelago sounds into an audio composition developed in collaboration with sound designer Panos Chountoulidis.

Feifei Zhou

Before there was land, there were mangroves
com
Zhou’s commission is a long-term, collaborative research undertaking that investigates coastal land reclamation across the globe. Filled by hard material such as rocks and cement, reclaimed land eliminates porosity and results in more severe flooding and biodiversity degradation. In contrast, mangrove forests, such as those in the Indian Ocean, nurture a rich range of sea and land creatures including fish, crabs, birds, and shrimp. Their salt-tolerant trunks and roots also create a porous environment and natural barrier against floods and tides. Preserving mangroves are some of the most pressing battles for coastal communities around the world.

Paulo Tavares

An Architectural Botany
exh
Paulo Tavares writes about what can happen when we recognise that a quintessentially natural or wild space—as defined by the hegemonic epistemic frameworks of colonial modernity—is in reality a cultural, socially produced artefact and how architectural practice and research can learn from a botanic archaeology, its methods and epistemic shifts. The essay is an excerpt of “Architectural Botany: A Conversation with William Balée on Constructed Forests,” the eighth chapter of Environmental Histories of Architecture, an open-access book published by the Canadian Centre for Architecture.
An Architectural Botany

Sammy Baloji

Overcoming Modernity
exh
A conversation between Sammy Baloji and Rolando Vázquez Melken on world exhibitions and the politics of cultural representation and appropriation through contemporary artistic and architectural interventions.
Overcoming Modernity

ROBIN MEIER WIRATUNGA

Waves Beneath an Ocean of Wet Air
com
This commission juxtaposes audio recordings from the Empty Quarters in the Arabian Peninsula—sounds of singing sands, acoustic measurements of dune sediment, and foraging ants from his field work—with submarine recordings from the Indian Ocean, neuroelectric activity of the brain, AI-synthesized vocal sounds, and various other elements to create a generative, polyphonic soundscape, giving a voice to the stories of the desert and weaving a composition with sounds from oceans of varying wetness and its entangled kin.

Dana Awartani

Listen to my words
exh
In this selection of translated Arabic poetry interlaced with geometric symbolism, Awartani's work breathes a new life into powerful voices from the past, orchestrating an intergenerational dialogue that subtly questions the status of women in contemporary society. 
Listen to my words

Tara Aldughaither & Joe Namy

Rhythms of the Rising Sun
com
Rhythms of the Rising Sun traces migratory rhythmic ecologies from West Asia, the Indian Ocean subcontinent, East Africa, and the Arabian Peninsula. This collaborative research project aims to raise awareness for resonant sound pressures in the region today. It explores how lucid migratory patterns have shaped some of the most prominent rhythms, sounds, and music of these geographies, and how rhythms have in turn shaped language and ways of life.

Rasha Al-Duwaisan

Buckets and Waterskins
BE
In this poetic reflection, Rasha Al-Duwaisan expands on Buckets and Waterskins, which was presented in March 2024 as part of the Biennale Encounters program of the Diriyah Contemporary Arts Biennale.
Buckets and Waterskins

Taus Makhacheva

Archival Footage: Behind Charivari
exh
Taus Makhacheva shares archival films that were collected and compiled from her research on the Soviet circus tradition.
Archival Footage: Behind Charivari

Munem Wasif, Natasha Ginwala

Kheyal: a conversation with Munem Wasif
exh
Munem Wasif and Natasha Ginwala discuss Wasif's solo exhibition Kromosho (ক্রমশ), or "step by step" in Bengali. Together, they exchange views around how the artist’s gaze has evolved, chronicling fiction and fact over time with fundamental transformations in both medium and subject. Traversing a range of recent works, Wasif attunes to unraveling vantage points, protagonists, and ambient idiosyncrasies.
Kheyal: a conversation with Munem Wasif

Martha Atienza, Jake Atienza

Equation of State
exh
Martha Atienza’s ‘Equation of State III’ is part of a series that examines climate change and asks the viewer to question environmental management and socioeconomic development. The installation is an entry point to community-based archival work on Bantayan Island in central Philippines from which it emerges.
Equation of State

Mariah Lookman

Poets have forgotten the words for love
exh
BE
A digital version of Mariah Lookman's sound walk, which gathers stories along spice routes in Saudi Arabia. The artist’s poetic narration is inspired by the stories of healers and merchants at the souks, and those of mothers and grandmothers. Storytelling becomes a method of recuperating a knowledge of plants that is passed on orally from one generation to the next. The work is an embodied and holistic experience of cross-cultural encounters and vernacular knowledge that has endured over distance and time.
Poets have forgotten the words for love

Anca Rujoiu, Priyageetha Dia

Forget Me, Forget Me Not
exh
Amid the sea of information and data prone to racialized terminology, what are the possibilities for an artistic engagement to eschew or hijack the perpetuation of violence? Anca Rujoiu writes about Priyageetha Dia's *Forget Me, Forget Me Not.*
Forget Me, Forget Me Not

Cercle d’Art des Travailleurs de Plantation Congolaise

Plantations, Museums, and Regenerative Ecologies
com
The work presented is a radical act of digital restitution. CATPC reclaims a piece of their heritage by using funds gained from NFTs (non-fungible tokens) such as Balot NFT, minted in 2022 and depicting the angry spirit of Belgian colonial officer Maximilien Balot (1890–1931). A series of short videos share the journey of collective members as they speak to elders, art historians, and academics about the possibility of restitution and the future use of blockchain technology toward regenerative forest ecologies.
EN/ AR
A Library of Earthen Architectures
 — 
Jorge Otero-Pailos
exh
BE

A Library of Earthen Architectures

Jorge Otero-Pailos

For the Diriyah Biennale, Jorge Otero-Pailos collaborated with Saudi artists and heritage experts in charge of Saudi World Heritage sites to create a Library of Earthen Architectures, which includes artefacts representative of Saudi cultural memory. Accompanying each artefact is an audio recording of a conversation between the artists discussing its importance, what makes it worthy of care, and how it expands the range of materials and meanings associated with earthen world heritage sites such as At-Turaif. The library is a collective open-ended work that centers the role of artists in the physical documentation, interpretation and presentation of world heritage sites in Saudi Arabia. It documents the emergence of a multi-generational conversation between Saudi artists exploring experimental preservation methods.

A Library of Earthen Architectures is on display in exhibition hall B6 at the Diriyah Contemporary Art Biennale 2024. The audio recordings accompanying each of the artefacts are available below.
Introduction Audio by Jorge Otero-Pailos
Basement Window Audio by Ahmed Mater
Oud burner Audio by Daniah Alsaleh
Deram bark Audio by Dania Alsaleh
Pieces of Sharafiyah glass Audio by BRICKLAB
Compressed earthen block Audio by syn architects — Sara Alissa & Nojoud Alsudairi
Pluie de Saudi (inscribed glass jar containing 50g of silver iodide dust) Audio by Jorge Otero-Pailos
Vault formwork Audio by Prince Nawaf bin Ayyaf
Darfat al-bab bridal gown Audio by Filwa Nazer
Fossil from the Yamama Cement Factory’s quarry Audio by Alaa Tarabzouni & Fahad bin Naif
A Library of Earthen Architectures (inscribed glass box containing World Heritage dust collected at Diriyah's At-Turaif monumental site) Audio by Jorge Otero-Pailos

Jorge Otero-Pailos

Jorge Otero-Pailos is an American-Spanish artist, preservation architect, scholar, and educator renowned for pioneering experimental preservation practices. Alongside his artistic practice, he is Director and Professor of Historic Preservation at Columbia University’s Graduate School of Architecture, Planning, and Preservation (GSAPP), where he also directs the Columbia Preservation Technology Lab, and where he founded the first PhD program in Historic Preservation in the US. His works have been commissioned by and exhibited at major heritage sites, museums, foundations, and biennials, including the Chicago Architecture Biennale (2017), Artangel’s public art commission at the UK Parliament (2016), the V&A Museum (2015), and the Venice Biennale (2009). He is the recipient of a 2021-22 American Academy in Rome Residency in the visual arts.
// Styling in src/css/app.css .page-content global block